WAYNARAP CHAMAKAT SARTASIRY BOLIVIA HIPHOP

Azealia Banks - "212" Video (2011)

www.azealiabanks.com

Ana Tijoux - 1977 - http://itun.es/i6v6RN

Amazon CD: http://amzn.to/kScvz5

Musica

Niña Dioz & Li Saumet ´´La Cumbia Prohibida``( VIDEO OFICIAL)

Dirección: Julio Zenil
Edición: Paula Falla
Gráficos: Aless Zapata




Letra:

Que es lo que pasa
estamos en la casa
en el wasa wasa
con toda la banda
con toda la raza
es un mismo idioma
cumbia emociona
suena en tu zona
Que es lo que pasa
estamos en la casa
en el wasa wasa
con toda la raza
con toda la banda
es un mismo idioma
cumbia emociona
suena en tu zona

( Li Saumet)

En Pacho Digital
cumbia silvestre, prohibida
corrida, atrevida
extraterrestre,
cumbia villera,
profunda, certera
del dia de la noche
de la tarde entera
Si no te enteras bailaras
hasta que muera
no te preocupes cuando
mueva la cadera
si eres muy fino,
y muy gringo
y te desesperas
y nadie se da cuenta
hasta bailando
no se entera
Power, Power
re contra Power
mexicolomboargentino
anda enchufame los cables
No me hables
que yo no te estoy oyendo
subele el volumen
que no te estoy entendiendo endo endo
quiero que tu bailes
y sientas mis movimientos
lento lento lento lento dame papi
lento lento lento lento
vamo' Niña Hay Dios!!

(Niña Dioz)
yo esoty aqui
respresentando la calle
soy de monterrey
y me gusta el desmadre
vivo de noche
ya te la sabes
no hay quien me escuche
y no se raye
no hay quien me escuche
y no se pare
a bailar en la pista
y la camisa bañe
de sudor esta gotiando de tu frente
nunca ando sola
siempre ando con mi gente

Gente demente, inteligente,
brilla como un diamante
aqui presente y constante
tirando pa'lante
Colombia y Mexico respresentando
aqui hasta Argentina
Americalatina, una sangre
one love,
one love music
un idioma
tu ya sabes
suena en tu zona

( Li Saumet)
No va contra la marea
levantate y pelea
no pienses tanto
que te quitan las ideas
y a quien le importa
que no te crean
si hiciste lo que quiciste
sea lo que sea
para, detente,
respira,
no pienses tanto
que esta es una sola vida
si no te importa
si se te olvida
parate y baila
la cumbia prohibida
Power, Power
re contra Power
mexicolomboargentino
anda enchufame los cables
Power, Power
re contra Power
mexicolomboargentino
anda enchufame los cables
Power, Power
re contra Power
mexicolomboargentino
anda enchufame los cables

La cumbia prohibida
esta es una sola vida
La cumbia prohibida
esta es una sola vida

Pacho Digital
y La Saumet
Niña Dioz

Tomalo Wuey!

Turkish female hip-hop singer

The Best Female Rapper In South Korea.

Watch the exciting Visuals for female Rapper, Eva's single "DEAF". Directed by Patrick Elis, the visuals were captured on Location around Lagos state, Nigeria.

"DEAF" produced by budding yooung producer "Gray Jon'Z" ,is Off Eva's soon-to-be Released second E.P which is a pre-release for her Debut Album. Enjoy!

Follow Eva on Twitter - @EvaAlordiah | Instagram - @ievaalordiah

The official Music video for the single "Al Kufiyyeh 3arabeyyeh" (The Kufiyeh is Arab) Featuring M1 of Dead Prez.

Video shot and edited by Nana Dankwa

From Album - Bridges 1977

Gil Scott-Heron - Lead Vocals, Guitar, Piano
Brian Jackson - Flute, Keyboards, T.O.N.T.O.
Danny Bowens - Bass
Joe Blocker, Reggie Brubane - Drums
Fred Payne, Marlo Henderson - Guitar
Tony Duncanson, Barnett Williams - Percussion
Bilal Sunni Ali - Saxophone
Delbert Tailor - Trumpet

It stands out on a highway
like a Creature from another time.
It inspires the babies' questions,
"What's that?"
For their mothers as they ride.
But no one stopped to think about the babies
or how they would survive,
and we almost lost Detroit
this time.
How would we ever get over
loosing our minds?
Just thirty miles from Detroit
stands a giant power station.
It ticks each night as the city sleeps
seconds from anniahlation.
But no one stopped to think about the people
or how they would survive,
and we almost lost Detroit
this time.
How would we ever get over
over loosing our minds?
The sherrif of Monroe county had,
sure enough disasters on his mind,
and what would karen Silkwood say
if she was still alive?
That when it comes to people's safety
money wins out every time.
and we almost lost Detroit
this time, this time.
How would we ever get over
over loosing our minds?
You see, we almost lost Detroit
that time.
Almost lost Detroit
that time.
And how would we ever get over...
Cause odds are,
we gonna loose somewhere, one time.
Odds are
we gonna loose somewhere sometime.
And how would we ever get over
loosing our minds?
And how would we ever get over
loosing our minds?
Didn't they, didn't they decide?
Almost lost Detroit
that time.
Damn near totally destroyed,
one time.
Didn't all of the world know?
Say didn't you know?
Didn't all of the world know?
Say didn't you know?
We almost lost detroit...

Edit:
8/13/13: 5000 views!? Really guys, THANK YOU!!!
9/1/13: 17,000 views?! OMG!
9/17/13: VS title updated
11/10/13: 100,000 views!!! This video is now 20% cooler.
----
Inspired by ERB's Steve Jobs vs Bill Gates rap battle: http://www.youtube.com/watch?v=njos57... and yin171's rap video: http://www.youtube.com/watch?v=o-VPWU...
Took less than a day finishing this but the final editing's a bitch. Still, I had fun making this.
WHO WON? WHO'S NEXT? YOU DECIDE. (in the comments section below ;P)
Clips, MLP © Hasbro
Audio © ERB, NicePeter, EpicLoyd
Effects, Editing, Animation, Art © Me
This video is purely made for entertainment purposes only. No copyright infringement intended. All other content belong to their respective owners.
----

Nouvel album "Tout tourne autour du soleil" disponible ici http://po.st/KenyArkanaToutTourne

Clique ici http://po.st/KenyArkanaYT pour t'abonner à la chaîne officielle Keny Arkana

Découvrez le clip de Keny Arkana: "De l'Opéra à la Plaine 2 feat. Le Secteur" extrait de "L'Esquisse 2" disponible ici: http://bit.ly/lesquisse2

Site Officiel : http://www.keny-arkana.com
Facebook : http://on.fb.me/McgUYv
Twitter : https://twitter.com/kenyarkana

2006 Because Music (http://po.st/because)

Taken from arte's "93 - La belle rebelle" / "Rebellische Sounds einer Pariser Vorstadt"

Le live de Keny Arkana lors de la cérémonie du Prix Constantin 2007. http://www.facebook.com/PrixConstantin

UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2010
URL: http://www.unesco.org/culture/ich/RL/00393
Description: Angklung is an Indonesian musical instrument consisting of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes are carefully whittled and cut by a master craftsperson to produce certain notes when the bamboo frame is shaken or tapped. Each Angklung produces a single note or chord, so several players must collaborate in order to play melodies. Traditional Angklungs use the pentatonic scale, but in 1938 musician Daeng Soetigna introduced Angklungs using the diatonic scale; these are known as ''angklung padaeng.'' The Angklung is closely related to traditional customs, arts and cultural identity in Indonesia, played during ceremonies such as rice planting, harvest and circumcision. The special black bamboo for the Angklung is harvested during the two weeks a year when the cicadas sing, and is cut at least three segments above the ground, to ensure the root continues to propagate. Angklung education is transmitted orally from generation to generation, and increasingly in educational institutions. Because of the collaborative nature of Angklung music, playing promotes cooperation and mutual respect among the players, along with discipline, responsibility, concentration, development of imagination and memory, as well as artistic and musical feelings.
Country(ies): Indonesia
© 2009 by the Center for Research and Development of Culture, Indonesia
Duration: 00:09:59 - Support: DVD (0039300023)

UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2010
URL: http://www.unesco.org/culture/ich/RL/00436
Description: Marimba music and traditional chants of Colombia's South Pacific region are the heritage of Afro-Colombian groups in the departments of Valle del Cauca, Cauca and Nariño. Chanting by women and men ''(cantadoras'' and ''chureadores)'' blends with acoustic instruments, handcrafted using local materials: palm-wood Marimbas, wooden and leather bass and hand drums, and bamboo and seed rattles. This music is performed principally during four rituals: ''Arrullo, Currulao, Chigualo'' and ''Alabao.'' ''Arrullo'' is a saint worship ritual led by women, who prepare the saints, candles and altars and perform chants accompanied by drums and, on occasion, Marimbas. The ''Currulao'' (or Marimba Dance) is a festive occasion. Men play the Marimba and perform profane chants while people sing, dance, eat and drink, and recount stories. The ''Chigualo'' is a wake following the death of a young child. The body is covered with flowers and a cappella chants are performed around it. The ''Alabao'' is a wake following the death of an adult, where extremely sad chants are sung, also a cappella. Musical knowledge of these traditions is passed on orally from generation to generation with younger performers guided by more experienced musicians. With a large proportion of the Afro-Colombian population of the region having moved to urban areas in recent decades, their musical heritage remains an important source of community identity, whether in their home villages or in town.
Country(ies): Colombia
©Ministerio de Cultura Republica de Colombia
Duration: 00:09:33 - Support: DVD (0043600004)

Kodō (鼓童) ( http://www.agoravox.tv/culture-loisirs/culture/article/kodo-un-battement-de-coeur-29699 « Kodo, un battement de coeur japonais rythmé par le taiko » : voir l'article et les vidéos) est un groupe de percussionnistes japonais originaire de l'ile de Sado. Son nom signifie « battement de coeur » et « enfant du tambour » en japonais. ( http://fr.wikipedia.org/wiki/Kod%C5%8D_(groupe) ).
Le collectif Kodo est formé en 1981 par d'anciens membres du groupe Ondekoza à la suite d'un différent entre Tagayasu (fondateur d'Ondekoza) et ses musiciens. Il perpétue et réinvente la tradition musicale japonaise, en explorant toutes les possibilités offertes par le taiko, tambour de peau tendue sur bois utilisé dans les fêtes traditionnelles.
Il parcourt le monde depuis le début des années 1980 pour diffuser son message « d'humanité partagée, de conscience environnementale et de paix ».

A Message to the Victims and Survivors of the Tohoku Earthquake & Tsunami : http://www.kodo.or.jp/news/index_en.html

Thanks to (Merci à) http://www.youtube.com/user/musicbox8

http://en.wikipedia.org/wiki/Taiko
Ōdaiko : One of the most memorable drums of many taiko ensembles is the ōdaiko (大太鼓). For many, the ōdaiko solo is the embodiment of power due to the size of the drum, the volume, and the endurance it takes to perform. The ōdaiko is the largest drum of all taiko, if not the entire world. The largest ōdaiko are too big to move and permanently reside inside a temple or shrine. Ōdaiko means "big taiko", but within any group, it describes the largest drum in an ensemble, which could mean 12 inches (300 mm) in diameter or 12 feet (3.7 m) in diameter. Made from a single piece of wood, some ōdaiko come from trees that are hundreds of years old.

http://en.wikipedia.org/wiki/Kodo_(taiko_group)
Kodō (鼓童?) is a professional taiko drumming troupe. Based on Sado Island, Japan, they have had a role in popularizing taiko drumming, both in Japan and abroad. They regularly tour Japan, Europe, and the United States.
Although the main focus of the performance is taiko drumming, other traditional Japanese musical instruments such as fue and shamisen make an appearance on stage as do traditional dance and vocal performance. Kodo's performance include pieces based on the traditional rhythms of regional Japan, pieces composed for Kodo by contemporary songwriters, and pieces written by Kodo members themselves. The numbers that Kodo perform can change from concert to concert. Kodo's performance normally lasts for about one hour and forty minutes.
In Japanese the word "Kodo" conveys two meanings: "heartbeat" the primal source of all rhythm and, read in a different way, the word can mean "children of the drum," a reflection of Kodo's desire to play their drums simply, with the heart of a child.
Kodo strives to both preserve and re-interpret traditional Japanese performing arts. From worldwide tours and research trips, Kodo brings back to Sado world music and experiences which now exert a strong influence on the group's performances and compositions. They also collaborate with other artists and composers.
Since their debut at the Berlin Festival in 1981, Kodo have given over 3,100 performances on five continents, spending about a third of the year overseas, a third touring in Japan and a third resting and preparing new material on Sado Island.

African women playing djembe in Guinea, West Africa

how to do a break mix grand master flash 1983

Ca c'est de la bonne zik!!

le peuple de l'herbe - judge not

High Tone - Train To Transylvania from the album Bass Temperature (2001)

High Tone meets Brain Damage
http://highdamage.fr

Sortie d'album le 26 mars 2012
http://jarringeffects.net

Crédit Vidéo :
Mathieu Jouffre / uKOSO
http://vimeo.com/ukoso

Live recording @ Le Fil - Saint Étienne - nov 2011
Extrait Audio : High Damage "Brain Tone"

Le groupe High Tone s'est créé en 1997 à Lyon sur les pentes de la Croix Rousse. Dès ses débuts sur le label indépendant Jarring Effects le groupe jouit d'une totale liberté artistique et mélange bon nombre d'influences musicales : dub jamaïcain des années 1970, hip-hop, jungle, drum'n'bass, techno, sonorités orientales. Résolument novo dub peut-être même l'instigateur de ce style le groupe High Tone se caractérise par un dub puissant truffé d'effets.

Médine - Besoin de Révolution

Abonnement à la chaîne officielle de Médine: http://bit.ly/MedineYoutube